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THE DESIGN (ISMS)
AA
AT
DB
FC
LC
SP
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TM
WMS
Sliding, sliding the good ship Venus through the conundrum of the anus mundi, plop into the ocean where time has run wild
Sliding, sliding the good ship Venus through the conundrum of the anus mundi, plop into the ocean where time has run wild
Sliding, sliding the good ship Venus through the conundrum of the anus mundi, plop into the ocean where time has run wild
Sliding, sliding the good ship Venus through the conundrum of the anus mundi, plop into the ocean where time has run wild
Sliding, sliding the good ship Venus through the conundrum of the anus mundi, plop into the ocean where time has run wild
Sliding, sliding the good ship Venus through the conundrum of the anus mundi, plop into the ocean where time has run wild
Sliding, sliding the good ship Venus through the conundrum of the anus mundi, plop into the ocean where time has run wild
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(AA) The Anchor
work in a state of permanent submerged suspension. feel free to move through your space
D-AA
PROJECT A
The definitive synthesis of the digital and the physical. PROJECT A was born from the need to bridge the gap between the ephemeral world of streaming and the timeless desire for tactile ownership.
It functions as a proprietary archival vessel, precision-engineered to house your work in a state of permanent, submerged suspension. While the audio remains free to move through your space- via speakers or intimate headphone playback- the Aquarium provides the physical anchor. By housing the artifact within a fluid, refractive environment, we transform the album from a standard release into a living installation: a weighted, archival piece that demands to be observed as you listen. This is a deliberate shift in format, designed to anchor the digital experience in the physical world.
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(AT) The Ship
strips away the traditional expectations of safety and performance space, replacing it with a localized danger zone
D-AT
PROJECT B
A monument to beautiful volatility. Designed to house a live amplifier unit in total
submersive compliance, this piece forces and puts electricity and water into an unnatural, motionless unspoken dialogue that is uncomfortable and yet still comforting stillness. It strips away the traditional expectations of safety and performance space, replacing it with a localized danger zone where two opposing forces are suspended in a state of tug and war that is replicated outwardly in a state of deceptive calm. A functional paradox at the heart of this apparatus is completely playable at a controlled, safe frequency, yet permanently balances on the fine line of total hazardry. Sound under glass, existing entirely on the razor's edge of extreme vulnerability
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(DB) The Replenisher
transforming a traditional performance kit into a glowing, living ecosystem
D-DB
PROJECT C
A pristine stage artifact designed for the moments before the noise begins. This installation fills the bass drum, tom-toms, and floor tom with water, transforming a traditional performance kit into a glowing, living ecosystem. Equipped with precision built-in lighting, the fluid- filled shells project a mesmerizing light show across the venue, capable of housing delicate aquatic environments. It is a stationary masterpiece- not built for physical impact, but curated to command the room and captivate the audience's attention before a single note is struck.
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(FC) The Current
turning the invisible current of a voice or instrument into a rapid, glowing rush of fluid power
D-FC
PROJECT D
A visual manifestation of raw sonic velocity. This engineered hosing system coils directly around high-voltage patch cords and XLR microphone cables, armed with integrated internal lighting. Triggered intimately by a performer's foot switch, water surges through the system at high speed, turning the invisible current of a voice or instrument into a rapid, glowing rush of fluid power. It thrives in the danger zone where electricity meets water, serving as a physical extension of the human body- visibility projecting the speed of thoughts and words as they flow through the lifeline of performance.
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(LC) The Cargo
transcends its role as luggage, transforming into an illuminated, water-filled exhibition monolith
D-LC
PROJECT E
A striking contradiction of utility and fragile elegance. Engineered as a functional, center-folding luggage system equipped with integrated transport wheels, this glass enclosure is purpose-built to transport acoustic and electric guitars under a strict mandate of care. Upon arrival to venues and locations, it transcends its role as luggage, transforming into an illuminated, water-filled exhibition monolith shaped to the exact replica of the instrument. It allows the artist to submerge their instrument in a luminous, living aquatic sanctuary on stage-communicating the room as a mesmerizing prelude and aftermath to the performance.
(SP) The Plug
the internal mechanism vibrates and periodically swishes water in sync with the sound
PROJECT F
A sensory bridge between private audio and external exhibition. Encased in precision glass, this specialized headphone system houses a controlled fluid chamber on either side of the listener's ears. Triggered by a dedicated switch, the internal mechanism vibrates and periodically swishes water in sync with the sound, forcing the user to physically feel the weight and movement of the audio wave. Illuminated by integrated internal light strips, it acts as a dual manifestation- delivering a deeply intimate, tactile experience for the listener, while projecting a mesmerizing, high-tech visual to the viewer witnessing the application.
D-SP
(WMS) The Mast
a direct extension and base for the visual conductor for the performance
PROJECT G
The vertical epicenter of the fluid ecosystem. Formed from a specialized glass tube, this architectural microphone stand serves as a pristine conduit for illuminated water. Engineered to integrate seamlessly as a direct extension and base for the (FC) fluid cable, it acts as a visual conductor for the performance. When triggered, high-velocity fluid surges up through the glass spine, illuminated by an internal lighting system that casts a dramatic, low-profile glow directly onto the performer-transforming the static stage mic into a living, high-voltage monument of light and motion in a standstill position.
The
D-WMS
(TM) The Cannon
the system injects a chaotic, high-stakes scenario into the live performance
D-TM
PROJECT H
An aggressive entry into the realm of stage warfare. Deviating from glass to favor raw structural impact, this mechanical launch system is engineered to catapult microphones at varying speeds directly toward the performer. Triggered intentionally by artists or stage hands, the system injects a chaotic, high-stakes scenarios into the live performance- forcing split-second vocal execution as the hardware cuts through the air like missiles. It is a signature manifestation of high-energy volatility, transforming the stage from a place of mere presentation into an arena of beautiful, unpredictable combat.
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